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An examination of the influence of the Bible on Western art and literature and on the Western creative imagination in general. Frye persuasively presents the Bible as a unique text distinct from all other epics and sacred writings. “No one has set forth so clearly, so subtly, or with such cogent energy as Frye the literary aspect of our biblical heritage” (New York Times Book Review). Indices.

• Sales Rank: #187489 in Books
• Published on: 2002-11-11
• Released on: 2002-11-11
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .68" w x 5.31" l, .62 pounds
• Binding: Paperback
• 288 pages

About the Author
Northrop Frye (1912-1991) was professor emeritus at Victoria College, University of Toronto, and the author of many books on literary theory and criticism.

Most helpful customer reviews

90 of 96 people found the following review helpful.
In Frye We Trust
By Arch Llewellyn
"The Great Code" reflects a lifetime's thinking about the patterns and meanings of the Bible, and you'd be hard-pressed to find a page that doesn't contain some nugget of insight--my copy's covered in Papermate blue! Frye's central point is that the Bible's best read as a complex ecology of types: the accounts of Jesus in the Gospels, for instance, have less to do with his actual deeds and words, however much our modern idea of history would like them to, than squaring his life with Old Testament 'anticipations.' In Frye's view, Jesus scarcely sneezes without invoking a line from the Old Testament, a fact that points to the essentally literary organization of the Bible. That's not to say the Bible's "merely" literature--on the contrary, Frye wants to show how it expands our sense of what literature and myth really mean. Meanwhile, he injects on the sly an attractive theology of his own. Literature like the Bible provides the types for us--the chain of typological anticipations doesn't culminate in Israel or Jesus or Revelation, but continues into our own lives, waking us up to our radical freedom.
My major disappointment with the book is that it grandly ignores Jacques Derrida and the deconstructionist critique of Frye's assumptions about the relationship between language and life, Word and presence. He mentions Derrida in the intro (the book appeared in 1981) and hints at a counterargument, but I would have liked to see him follow through, since their brand of criticism aims squarely at Frye's type of reading. Those with a more historical interest in the Bible will also balk at Frye's acceptance of the book as a unity, endorsing the misreading that turned the rich and varied texts of the Hebrew Torah into a vast typological waiting room for the Christian Messiah.
Still, this is a powerful interpretation that anyone with an interest in myth and religion should greatly enjoy.

46 of 51 people found the following review helpful.
A UNIFIED BIBLE
By A Customer
I can't let the only other reviewer of this book stand unchallenged. Frye's magnum opus asks the delicious question, "What if the Bible, given all its historicial oddities, nonetheless stood as a unity, God-given or otherwise?" To this, Frye gives overwhelming response. The story of Israel, rising and falling; the story of humanity, rising and falling; the story of Christ, rising and falling with us, and rising again--this is the story most worth telling. Frye knows (almost) everything (the parenthesis is not because I know something Frye doesn't but because, of course, God knows things Frye didn't). The most extraordinary book, for those with the patience to read it. Worthy of all seekers, with the mind to mind it.

25 of 27 people found the following review helpful.
classic work
By jay vincent
Intellectual "tour de force" by the greatest critic of our time:take the time to read, study, and enjoy.

This great text is an all-time classic that will appeal to the scholar and the layperson alike.

Frye is an amazing syncretist. I have never read any author other than Frye who can slip in and out of various disciplines so easily,and all the while weaving a "seamless web" of an argument that is logically structured and beautifully written. I realize that some statements in the text may offend conservative readers, but overall, the book is neutral regarding any matter of systemic doctrine or denominationally specific exegetical concerns. If anything, Frye's text offers the highest praise for the Bible

by showing how the language and imagery of the KJV penetrates all aspects of western literary and intellectual culture.

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Audio Engineering 101 is a real world guide for starting out in the recording industry. If you have the dream, the ideas, the music and the creativity but don't know where to start, then this book is for you!

Filled with practical advice on how to navigate the recording world, from an author with first-hand, real-life experience, Audio Engineering 101 will help you succeed in the exciting, but tough and confusing, music industry.

Covering all you need to know about the recording process, from the characteristics of sound to a guide to microphones to analog versus digital recording. Dittmar covers all the basics- equipment, studio acoustics, the principals of EQ/ compression, music examples to work from and when and how to use compression. FAQ's from professionals give you real insight into the reality of life on the industry.

• Sales Rank: #86600 in Books
• Published on: 2011-12-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 7.25" w x .50" l, 1.15 pounds
• Binding: Paperback
• 256 pages

Amazon.com Review

Amazon Exclusive: How Audio Engineering Helped Get My Band Signed By Tim Dittmar

Tim Dittmar

Working in a studio I often had access to record my own band and experiment. In the early '90s I recorded a six-song demo for a band that I was drumming with. We had only been a band for about three weeks when this demo made it into the hands of a local production company person, who at the time worked with RCA records. Although we didn’t end up with this label, the person who originally discovered us ended up managing our band and got us signed to a major label and many indie labels. It is great to have a backup plan, especially as a musician. Audio engineering is a great career option when being a musician isn't paying the bills. It allows you to still be creative and involved in the music scene. You may not get rich right away (or ever) but seeing your name on a CD you recorded is priceless.

Here are a few of the bands I currently play with:
annabella
The Hearts and The Minds

It is common for audio engineers to have their own home studio and also work out of other studios. Pictured here is a classic Trident 80B console located at Top Hat Recording studio in Austin, TX.
One of the many reasons I became an audio engineer was to record and produce my own bands and music. Here I am mixing me and my wife's band, annabella, on my studio's Toft console.
As an audio engineer you will need to find people to record. Running live sound and playing out in a band is a great way to meet potential clients every night.Here I am on tour in Athens, GA with annabella.

Review

"This beginner's guide to audio engineering presents a clear overview of the science and art of sound recording and provides readers with foundational information for getting started in audio engineering. Beginning with a discussion of sound and general recording principles, the work covers topics such as microphones, mixing consoles, signal processors, and signal flow, as well as studio session procedures and optimization. Chapters include illustrations, tips, and checklists, and the text includes an additional section with questions and answers from industry professionals."--Reference and Research Book News

About the Author
Tim Dittmar is a musician, recording and live sound engineer, producer, songwriter, and professor. Tim began his professional recording career in 1987 at Cedar Creek Recording studio in Austin, Texas. Before locating to Austin, Tim received an Associate in Arts in Radio/TV Production from Del Mar Junior College. He then spent much of the nineties touring with a punk group, recording bands, and running live sound on the infamous 6th street at various venues. He was hired in 2000 as a professor and full-time faculty member at Austin Community College where he currently teaches Audio Engineering I, Audio Engineering IV, and the Special Projects class. Tim heads up the Technical side of Commercial Music Management at the college. He has also been a returning lecturer at the University of Texas teaching Audio Production and Audio for Picture. Tim has worked in numerous studios in Austin, Los Angeles and Chicago, compiling over 300 album credits. Recording such artists as the Old 97's, Voxtrot, Dynamite Boy, King Missile and the Murdocks. In 2008 he was invited to moderate a panel at the Tape Op Conference in New Orleans where he spoke on "The State of Audio Education”. At present, he owns and operates Las Olas Recording in Georgetown, Texas. He currently tours and records with his wife in the group Annabella and can also be seen drumming with The Hearts & The Minds, Kristi Rae, and Everything's Gone Green.

Most helpful customer reviews

22 of 25 people found the following review helpful.
Great instructional guide!
By Method2Madness
DISCLAIMER: Although this was given to me through Vine to review, unlike other questionable "reviewers", I actually take the time to USE the product or READ the book. So whatever score/review the product gets, it's absolutely earned. At no time is a product given a particular review or rating simply because I fear loosing Vine status. That's not how the Vine program operates.

Anyhoo, onto the review:

Plainly put, this is a great book. Not only does the author take the time to explain, in detail, what how and why things work the way they do, he also provides illustrations for the layman. I read this cover to cover over a period of a week and honestly learned quite a bit. And I've been in audio production for years! You can definitely tell the author knows his stuff and has actually DONE what he writes about. In lieu of some authors who just compile information and later jam it all together into what barely passes as a book.

I definitely applaud the author and highly recommend this book to those wishing to learn the basics, and to a point, the higher-level operation of sound reproduction.

13 of 14 people found the following review helpful.
99 Reasons to Read Audio Engineering 101
By C. CRADDOCK
By the title, Audio Engineering 101, you know that Timothy A. Dittmar's book is going to cover that basics of Audio Engineering. Anytime you see that 101, as any community college student knows, you know it is going to be a rudimentary primer. Kind of Audio Engineering for Dummies. Some of the stuff is pretty basic, and I just kind of skimmed over it. Advice for interns, like not to tell clients how awful they sound, and don't sit around texting while rolling your eyes, etc., etc., etc..

But there is a lot of practical information and explanation of audio concepts like compression, noise gates, EQ, phlanging, and phase. I really like the microphone guide which shows various types and brands of microphones along with graphs of frequency response: Cascade Fat Head, Small-Diaphragm Condenser, Neumann U 87, or the ubiquitous Shure SM58. One chapter is a round table where questions are posed to a group of recording engineers like, what mic would you take with you on a desert island? There is a website where you can go and download audio clips that illustrate the concepts being discussed.

All in all, this is a handy book with a lot of good information that would be of interest to anyone interested in home recording or a career in audio engineering.

10 of 12 people found the following review helpful.
Interesting, somewhat useful, and pretty inconsistent
By K. Bortz
As someone who has recorded in a studio, and who has a digital recording system of his own, I gave this a try to see how it might help guide me through the recording process. First off, this book is not just about the technical end of recording - it also gives some good hints into interning, marketing, client relations, how to conduct yourself in the studio, etc. THIS portion of the book, although I will never utilize it, is pretty interesting and opened my eyes to a different side of the recording business.

The first 2/3 of the book, which actually cover recording techniques, is why I was interested in this book. Here, this book doesn't seem to know what it's target audience is. The title says "Beginner's Guide to Music Production", and some portions were actually geared to beginners - how to listen, how to place speakers, song structures, how to set up a recording room, place microphones, etc. But then some portions were exceedingly detailed - 23 pages of excruiating detail on the frequecy responses of different microphones. And the chapter on the basics of a mixing board, while covering basic information, seemed to presume an understanding of certain terminologies and processes that weren't defined (and this happened on a couple other occasions, as I remember). Maybe if the reader understood the chapter on signal flow (Chapter 8) before the chapter on mixing consoles (Chapter 6) it would help.

There are also some very basic sound clips and videos available on the internet as a companion to this book - these were referenced in the text, although the only way I knew how to access these were because the web address was on the back cover.

So, there is some good information here, but not all of it is geared toward the beginner as presumed by the title. This would be a good COMPANION reference for someone already familiar with basic recording techniques.

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• Sales Rank: #2367161 in Books
• Brand: Brand: Candlewick
• Model: 8781877
• Published on: 2010-02-09
• Released on: 2010-02-09
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .19" w x 5.63" l, .25 pounds
• Binding: Paperback
• 48 pages

Features

• Used Book in Good Condition

Review
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About the Author
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Akemi Gutierrez is the illustrator of David Martin’s first Brand New Reader about the Three Little Bears. She lives in Torrance, California.

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No amateur or math authority can be without this ultimate compendium from America's best-loved mathematical expert.

Whether discussing hexaflexagons or number theory, Klein bottles or the essence of "nothing," Martin Gardner has single-handedly created the field of "recreational mathematics." The Colossal Book of Mathematics collects together Gardner's most popular pieces from his legendary "Mathematical Games" column, which ran in Scientific American for twenty-five years. Gardner's array of absorbing puzzles and mind-twisting paradoxes opens mathematics up to the world at large, inspiring people to see past numbers and formulas and experience the application of mathematical principles to the mysterious world around them. With articles on topics ranging from simple algebra to the twisting surfaces of Mobius strips, from an endless game of Bulgarian solitaire to the unreachable dream of time travel, this volume comprises a substantial and definitive monument to Gardner's influence on mathematics, science, and culture.

In its twelve sections, The Colossal Book of Math explores a wide range of areas, each startlingly illuminated by Gardner's incisive expertise. Beginning with seemingly simple topics, Gardner expertly guides us through complicated and wondrous worlds: by way of basic algebra we contemplate the mesmerizing, often hilarious, linguistic and numerical possibilities of palindromes; using simple geometry, he dissects the principles of symmetry upon which the renowned mathematical artist M. C. Escher constructs his unique, dizzying universe. Gardner, like few thinkers today, melds a rigorous scientific skepticism with a profound artistic and imaginative impulse. His stunning exploration of "The Church of the Fourth Dimension," for example, bridges the disparate worlds of religion and science by brilliantly imagining the spatial possibility of God's presence in the world as a fourth dimension, at once "everywhere and nowhere."

With boundless wisdom and his trademark wit, Gardner allows the reader to further engage challenging topics like probability and game theory which have plagued clever gamblers, and famous mathematicians, for centuries. Whether debunking Pascal's wager with basic probability, making visual music with fractals, or uncoiling a "knotted doughnut" with introductory topology, Gardner continuously displays his fierce intelligence and gentle humor. His articles confront both the comfortingly mundane―"Generalized Ticktacktoe" and "Sprouts and Brussel Sprouts"―and the quakingly abstract―"Hexaflexagons," "Nothing," and "Everything." He navigates these staggeringly obscure topics with a deft intelligence and, with addendums and suggested reading lists, he informs these classic articles with new insight.

Admired by scientists and mathematicians, writers and readers alike, Gardner's vast knowledge and burning curiosity reveal themselves on every page. The culmination of a lifelong devotion to the wonders of mathematics, The Colossal Book of Mathematics is the largest and most comprehensive math book ever assembled by Gardner and remains an indispensable volume for the amateur and expert alike.

• Sales Rank: #165608 in Books
• Color: Cream
• Published on: 2001-09-17
• Original language: English
• Number of items: 1
• Dimensions: 9.60" h x 1.80" w x 7.50" l, 2.93 pounds
• Binding: Hardcover
• 736 pages

From Publishers Weekly
This weighty collection, containing 50 of what the Annotated Alice annotator and popular science journalist considers his best Scientific American "Mathematical Games" columns, is sure to please the relatively small but intensely loyal coterie of Gardner fans. Arranged in 12 broad categories (arithmetic and algebra, plane geometry, topology, infinity, etc.), these pieces cover subjects that will delight recreational math buffs, such as Penrose tiles, hypercubes, Klein bottles and fractal music. In addition to an up-to-date bibliography, each section includes a new, sometimes lengthy addendum, which should be the main hook for those who already own the 15 volumes of Gardner's complete Scientific American columns. While books on math for general audiences by authors such as Amir Aczel have been in vogue of late, they've tended to focus on personalities and to avoid equations. Since this collection is filled with problems and expressions (illustrated with 320 line drawings) that require solving with pencil and paper, its appeal should be mainly limited to puzzle nuts, but Gardner's elegant style could draw in new aficionados. An enemy of charlatanry and pretension, who appreciates the beauty and complexity of language as well as numbers (and still actively writing at age 86), Gardner remains a model of clear prose, understated wit and intellectual honesty.

Copyright 2001 Cahners Business Information, Inc.

Review
“For more than half a century, Martin Gardner has been the single brightest beacon defending rationality and good science. . . . He is also one of the most brilliant men and gracious writers I have known.” (Stephen Jay Gould)

About the Author
Martin Gardner (1914-2010) is regarded as one of the world's leading experts on Lewis Carroll and his work. The author of more than a hundred books, he wrote the "Mathematical Games" column for Scientific American for twenty-five years and has been hailed by Douglas Hofstadter as "one of the great intellects produced in this country in this century."

Most helpful customer reviews

23 of 23 people found the following review helpful.
The imporatance of Mathematics
By David N. Reiss
Martin Gardner is the grand old man of popular mathematics. He especially likes the math behind puzzles, riddles and logical conundrums. Logic and mathematics is the source of his thinking on the Skepticism he professes in his writings on pseudoscience, religion, the paranormal, UFO's, and other outlands of science and rational thinking.
This book is a collection of his best columns from Scientific American magazine. It was of the good reasons to read the magazine. Like many other things in the last few years, that publication jumped the shark at some point. Gardner was one of the reasons to still read it for a while there.
Gardner, however, is not just interested in the mathematics. The men, and history of the questions is also important to him. That is because it forms a context to the questions and the discovery of the answers. Context is very important to the author. Without it, you really don't know where you are.
If you like the writing of such good folks like Douglas Hofstadter, Jeremy Bernstein, Eli Maor, John Allen Paulos, Richard Feynman, Stephen Jay Gould, Isaac Asimov, Carl Sagan, Arthur C. Clarke or Ed Regis, than you will probably like the writing of Gardner.
Mathematics is something that people don't read a lot. At least not recreationally. Normally because they don't understand that it forms the basis of real logical thought. A real understanding of the modern world requires one of the understand science. And science that isn't, at least in part, based on mathematics isn't real science. It is something more of our leaders should take a real interest in. How can we expect our leaders to make good decisions on cloning or when-life-begins if they have no real understanding of science and mathematics?
Which is why Martin Gardner should be considered a national treasure.

68 of 71 people found the following review helpful.
True Treasure: Stunning Collection of Popular Math Articles
By Dan Sherman
This is an excellent collection of 50 of Martin Gardner's Scientific American "Mathematical Games" columns that he wrote over a number of years. Gardner wrote his column for 25 years and always managed to find an idea involving mathematics -- sometimes obscure, sometimes not -- and make it very understandable and very interesting through very clear (and often witty) writing combined with excellent illustrations (reproduced here)by Scientific American. Although these articles have been previously reproduced in the 15 collections, this collection is valuable in that Gardner (now in his mid-eighties and still writing away) has added addenda to his earlier articles that nicely update them.
Although some people might think that "recreational mathematics" is a contradiction of terms, Gardner's insight and excellent writing style really do make mathematics enjoyable. At one level, the book can be thought of as a collection of puzzles, in that Gardner often uses a puzzle or otherwise poses a question to ask how a problem can be solved. The book goes way beyond a collection of puzzles, in that Gardner really provides an overview of mathematics concepts involved and goes beyond the simple solution of the puzzle to give the reader a sense of particular concepts in mathematics (e.g., topology). His approach really makes mathematics quite interesting.
I am sure that Gardner's original column got many people (including myself) interested in mathematics, and I hope that this collection will help a new group of readers to develop and maintain curiosity regarding mathematics and its applications. It is, for example, something that teachers might want to refer their students to. If you haven't read other books by Gardner, this is a very good place to start -- I would also recommend his essay collection "The Night is Large" that shows his amazing range of interests (of which mathematics is one part).

0 of 0 people found the following review helpful.
GOOG clean math fun
By William T. Hundt
Enjoyed the book

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The Metals Handbook Desk Edition is a comprehensive single-volume reference source on the properties, selection, processing, testing, and characterization of metals and their alloys. Although the information presented in this Volume is drawn principally from the multiple-volume ASM Handbook series, it should not be considered simply an abridged version of the larger work. Instead, the Metals Handbook Desk Edition draws upon the complete arsenal of ASM products-both print and electronic-as well as other key sources of information originating from other publications, company literature, technical societies, and government agencies. Coverage is organized into five major parts:* General Introduction* Irons, Steels, and High-Performance Alloys* Nonferrous Alloys and Special-Purpose Materials* Processing* Testing, Inspection, and Materials Characterization

• Sales Rank: #899542 in Books
• Published on: 1998-12-01
• Original language: English
• Number of items: 1
• Dimensions: 2.80" h x 9.25" w x 11.19" l, 1.10 pounds
• Binding: Hardcover
• 1535 pages

From the Publisher
Published: 1998

Most helpful customer reviews

16 of 16 people found the following review helpful.
Must have for materials engineers
By Reviewer
If you are searching for this book you probably already know what it is. If you are in materials related research, it is imperative that you acquire this book. It contains compositional tables that are invaluable if you often find yourself looking at an EDS spectrum and you are thinking "Hmm... what alloy is this?". Each metal or alloy (ferrous and non-ferrous) is addressed with at least compositional information, common applications, corrosion resistance, and mechanical properties. It is comprehensive and well worth the purchase.

Edit 12/5/08:
I have said this elsewhere, but I consider this book to be one of the "must haves" for technical reference books. With a recent edition of the CRC Handbook of Chemistry and Physics, Perry's Chemical Engineer's Handbook, Mark's Standard Handbook for Mechanical Engineers, Machinery's Handbook, Bosch Automotive Handbook, and Metals Handbook, one person has an excellent overview of the entire Industrial Revolution. I call this library of books the "Build-Your-Own-Civilization Library". If you like handbooks (I cherish them), get this one, then go buy the others.

1 of 1 people found the following review helpful.
Metals Handbook
By Robert
The Metals Handbook met my expectations. It provided me with the data I needed on the material I am working with. I am well pleased with it.

3 of 3 people found the following review helpful.
One volume condensation of the Metals Handbook
By Metallurgist
This is a one-volume condensation of the Metals Handbook. The full handbook comprises over 20 phonebook-sized volumes, so a single-volume is a welcome addition to the series. Being a single volume it cannot be as comprehensive as the full multi-volume set, but it does include all of the basic and most important information. It focuses on providing information on various classes of alloys (steels, Al alloys, Cu alloys, etc.) with a separate section on other topics, such as casting, forging, joining, etc; where the complete set has separate volumes on these other topics and a single volume on ferrous alloys and one on non-ferrous alloys. This is an important addition for the library of any metallurgist, structural engineer or anyone who needs information on metals and the utilization of metals.

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[O183.Ebook] Free Ebook Social and Behavioral Foundations of Public Health, by M. (Marie) Jeannine Coreil

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Emphasizing the importance of social context and cultural construction, Social and Behavioral Foundations of Public Health examines current issues in health from a social and behavioral sciences perspective. The book uses a social ecological framework to address multilevel influences on health and enlarge the dominant "risk factor" approach to health behavior. Editor Jeannine Coreil and contributing authors use examples from the forefront of public health to illustrate the relevance of "core"competencies" in the field to diverse real-world problems. The Second Edition has been thoroughly updated and revised throughout, based on user feedback, and includes new theory, research, case studies.

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Social and Behavioral Foundations of Public Health is intended as a core textbook for graduate courses in public health and health care management that examine current issues in health from a social and behavioral sciences perspective.

• Sales Rank: #108249 in Books
• Brand: Brand: SAGE Publications, Inc
• Published on: 2009-01-21
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.20" w x 8.20" l, 2.40 pounds
• Binding: Hardcover
• 448 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

4 of 5 people found the following review helpful.
Solid info - needs updated revision
By Leocatra
I'm a newbie to the field of Public Health. I wanted a textbook that'd provide a solid overview of the field. It provides that but because the book was published in 2001, it leaves out the significant impact 9/11 must have had on the field of public health, including bioterrorism, public health preparedness & public health informatics. For my purposes (psych background considering grad education in public health), I think it's okay. Couple of complaints... I wish the book had more graphics, illustrations. Also - the writing is as dry & boring as they come! Sure to cure chronic insomnia in a snap! Just because it's research doesn't mean it has to be boring. Apparently these guys don't konw that.

2 of 2 people found the following review helpful.
theory not clear
By John V. Linhart
I was expecting more for a textbook that costs so much. The theory presented in the book wasn't very clear or very detailed. In our class, I ended up learning more from a free CDC PDF file that was more clear. We hardly used the textbook in our class- outside materials were more clear.

2 of 2 people found the following review helpful.
Public Health
By L. Gaddis
This book was a tremendous help for my online class. It was very informative and easy to read each chapter. I actually learned a lot from the course I took and using this book as a guide.

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