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Alone in Berlin, by Hans Fallada
Free Ebook Alone in Berlin, by Hans Fallada
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Inspired by a true story, Hans Fallada's Alone in Berlin is the gripping tale of an ordinary man's determination to defy the tyranny of Nazi rule. This Penguin Classics edition contains an afterword by Geoff Wilkes, as well as facsimiles of the original Gestapo file which inspired the novel. Berlin, 1940, and the city is filled with fear. At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks...If you enjoyed Alone in Berlin, you might like John Steinbeck's The Moon is Down, also available in Penguin Modern Classics. "One of the most extraordinary and compelling novels written about World War II. Ever." (Alan Furst). "Terrific...a fast-moving, important and astutely deadpan thriller." (Irish Times). "An unrivalled and vivid portrait of life in wartime Berlin." (Philip Kerr). "To read Fallada's testament to the darkest years of the 20th century is to be accompanied by a wise, somber ghost who grips your shoulder and whispers into your ear: "This is how it was. This is what happened"." (The New York Times).
- Sales Rank: #70755 in Books
- Published on: 2010-05-01
- Original language: German
- Number of items: 1
- Dimensions: 1.10" h x 5.00" w x 7.70" l, .90 pounds
- Binding: Paperback
- 588 pages
Review
Fallada assembles a cast of vivid low-life characters, stoolies, thieves and whores -- James Buchan Guardian Visceral, chilling ... has the suspense of a Le Carre novel New Yorker A classic study of a paranoid society. Fallada's scope is extraordinary. Alone in Berlin is ... as morally powerful as anything I've ever read -- Charlotte Moore Telegraph First published in Germany in 1947 and evoking the horror of life in Germany in the Second World War. A rediscovered masterpiece that makes you want to seek out more works by this great chronicler of events in my own lifetime. Barry Humphries, Books of the Year, Sunday Telegraph The other fictional high point of 2009 was Alone in Berlin ... Hans Fallada's 1947 portrait of an ordinary German couple stung into a life of protest by the death of their soldier son is harrowing and masterly. -- David Robson Books of the Year, Sunday Telegraph [This novel] suggests that resistance to evil is rarely straightforward, mostly futile, and generally doomed. Yet to the novel's aching, unanswered question: 'Does it matter?' there is in this strange and compelling story to be found a reply in the affirmative. Primo Levi had it right: This is the great novel of German resistance. -- Richard Flanagan 'What Irene Nemirovsky's "Suite Francaise" did for wartime France after six decades in obscurity, Fallada does for wartime Berlin.' Roger Cohen, New York Times '[Alone in Berlin] has something of the horror of Conrad, the madness of Dostoyevsky and the chilling menace of Capote's "In Cold Blood"'. Roger Cohen, New York Times 'Fallada's great novel, beautifully translated by the poet Michael Hofmann, evokes the daily horror of life under the Third Reich, where the venom of Nazism seeped into the very pores of society, poisoning every aspect of existence. It is a story of resistance, sly humour and hope' -- Ben Macintyre The Times 'an extraordinary novel' Daily Express A marvellous book, almost a masterpiece. The tension he maintains despite a fogegone conclusion is miraculous. This is the truest, most vivid I-was-there novel of the epoch. Norman Lebrecht The stand-out book this year for me was Alone in Berlin (Penguin Classics GBP9.99) ... It's a page-turning moral thriller, based on fact, of a -working-class German -couple and their small-scale attempts to resist Nazi rule in Berlin. Bleak, chilling, utterly compelling and unforgettable. -- Pugh Books of the Year, Daily Mail Penguin's reissue of Hans Fallada's Alone in Berlin, brilliantly translated by Michael Hofmann, makes available one of the great novels of the past century. An almost unbearably intense challenge to its readers. -- George Steiner Books of the Year, TLS What makes Alone in Berlin such a cracking read is that it pushes us into the midst of that grim reality and yet allows us to put it down - only at the very end - with a feeling of warm humanity. -- Peter Millar The Times Hans Fallada wrote Alone in Berlin between September and November 1946, in postwar East Germany. He told his family that he had written "a great novel". He would die a few months later. ... Fallada was correct: he had written a great book, in circumstances and a space of time which make the achievement almost miraculous. But it's the double miracle of translation which gives us Fallada's novel in English as Alone in Berlin. Michael Hoffman is a fine poet, whose acute ear and eloquent understanding of the transition-points between the two languages make the text as powerful as it is down-to-earth. -- Helen Dunmore Guardian
About the Author
Hans Fallada was one of the best-known German writers of the twentieth century. Born in 1893 in Greifswald as Rudolf Wilhelm Adolf Ditzen, he took his pen name from a Brothers Grimm fairy tale. His most famous works include the novels Little Man, What Now? and The Drinker. Fallada died from an overdose of morphine on 5 February 1947 in Berlin. Michael Hofmann is the author of several books of poems and a book of criticism, Behind the Lines, and the translator of many modern and contemporary authors. Penguin publish his translations of Kafka's Metamorphosis and Other Stories and Irmgard Keun's Child of All Nations.
Most helpful customer reviews
56 of 56 people found the following review helpful.
A true modern classic set in Wartime Germany. Quite brilliant
By Ripple
Staggeringly written in 24 days and first published in German in 1947, Alone in Berlin is without doubt a modern classic. Inspired by the real-life activities of Elsie and Otto Hampel, the heart of the book relates the plight of two, decent, hard working Germans living in Berlin, who, on hearing of the death of their only son on the front line, begin a small scale campaign of anonymous postcards attacking Hitler and the Nazi regime throughout Berlin. The scale of the effort may be small, but the price to be paid for discovery is almost certain death.
But Alone in Berlin is much more than this story of the Otto's postcard campaign and the attempts of the Gestapo to discover his identity. There are a whole host of people to whom we are introduced, and Fallada poignantly portrays their plights in touching detail. This would be a terrific novel in any hands, but when you consider that Fallada remained in Germany throughout the war (unlike so many other writers) you realise how true to life some of these fictional events must have been.
The new translation by Michael Hofmann is totally convincing - with only the very occasional word that seems to jar, but with subtle changes of tense and styles, he ensures that the story is fast paced and gripping throughout.
Ir's very much in the `classic' style - I was particularly reminded of some of the great Russian classic novels in terms of style. It's a compelling read and takes you through a range of emotions - from uplifting one minute, to despair another. But it's about people holding onto their beliefs and values in the face of every opposition possible.
This edition also has an afterword about the author and copies of some of the original wartime documents from the original Hampel case. I cannot recommend this book highly enough. If you enjoy classic fiction, this is a `must read'.
29 of 30 people found the following review helpful.
Dark, satirical war-time thriller
By Steve Benner
Hans Fallada was the nom de plume of one Rudolf Ditzen, a German novelist whose best known work is probably the Great Depression novel, "Little Man, What Now?", written in 1932 which in its day was a great international success, even leading to a Universal Pictures film adaptation in 1934. Jeder stirbt für sich allein ("Alone in Berlin" also published in the USA as "Every Man Dies Alone") was Fallada's final novel, extraordinarily written in just 24 days in October and November 1946, being completed but not published by the time of the author's death in February 1947. The book takes as its basis the true war-time story of Otto and Elise Hampel who over a period of three years baffled both the Police and the Gestapo by distributing hundreds of postcards all over Berlin, urging acts of civil disobedience and work-place sabotage. Despite the ineffectiveness of their propaganda campaign -- all but a few of their cards were handed into the authorities within hours -- the couple nevertheless enraged the Gestapo, who became convinced that the cards were the work of a large and well-orchestrated underground conspiracy, rather than just two people working silently and alone.
Having himself lived through the privations of the Nazi years and suffered their strictures at first hand (particularly as he was not exactly in favour with the Party) Fallada writes with a great incisiveness and authority, not only in his portrayal of officials of the state but also in his depiction of the behaviour of everyday people. "Alone in Berlin" is in part satirical and in part invective but is never less than a highly humanist examination of the times, as well as an honest and frank exploration of the depths to which many Germans had to lower themselves simply in order to survive. Fallada portrays the Nazi Party bigotry and corruption as absolute, permitting not the smallest spark of human decency to remain unpunished. He points up the way in which those few who daily struggled to maintain even a semblance of humanity were left feeling so very much alone and isolated; a state in which they perforce maintained themselves or else perpetually risked denouncement, to be followed inevitably by interrogation, incarceration and possibly execution. And yet isolated pockets of human decency did abound, albeit working in small and quiet ways to try to derail the Fascist hegemony, however futile and dangerous their gestures might actually be.
"Alone in Berlin" is a compelling and totally gripping tale, initially of suspense and later of self-discovery and redemption. Fallada portrays at length the mean and petty lives which the Nazi political system created, as well as the hopelessness experienced by many in war-time Berlin; the author fair revels in the crass incompetences and internal bickerings of the authorities which for so long kept them from tracking down the conspirators. Many of the small details of the book are partly auto-biographical -- particularly many of the internal struggles of its weaker characters, as well as their experiences at the hands of low-level Party officials and rank-and-file fanaticism -- mirroring as they do Fallada's own personal experiences of those years. Many of the characters -- especially those in positions of power -- come across now more as caricatures or as comic cartoon characters more than as real, solid people but this was probably the way they appeared within an entire nation which had collectively been forced to bury not just its sanity but a great portion of its humanity as well.
This English translation is newly prepared by Michael Hofmann and is a joy to read, capturing in highly idiomatic (contemporary) language Fallada's deadpan delivery of events, whether they be of great brutality or simpering banality. Above all, it comes across as fresh and vibrant, accentuating Fallada's wicked black humour perfectly.
Highly recommended.
0 of 1 people found the following review helpful.
Four Stars
By Richard J. Rundell
Translation of "Jeder stirbt fuer sich allein" -- a decent, if not exceptional, translation.
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